The military march is getting closer, closer. The soldiers of the station will take their spears and line up in front of the guardhouse. Respectful greeting from the young man to the lady. The old gentleman and the young man exchange a cordial handshake. In the distance, far away, there is a military march, bugles and fifes. The young man with one hand shows something in the air to the old gentleman, and on the other hand passes the note to the lady. The young man trying to hand his sweet note to the lady. The husband, the wife and the gallant are all three very slowly a little tour in the square. The young man at this moment draws from his pocket a note which he shows to the lady. Imitating the eager salute of the young man. The young man approaches the old gentleman and the young lady, greets and exchanges a few words in a low voice, etc. The second verse continues and adapts faithfully to the scene mimed by the three characters. This pantomime must fit exactly with the next verse.Īt this moment a young man enters the square quickly. She's waiting for someone and that someone is not coming.
The old gentleman would like to continue his walk, but the young lady does everything she can to keep him in the square. Among the people who come and go, an old gentleman giving his arm to a young lady. The movement of passers-by that had ceased during the scene of Micaëla resumed with some animation. Laughing again at the sergeant's sentence. Blue skirt, mats falling on her shoulders, hesitant, embarrassed, she looks at the soldiers, advance, retreat, etc. People in a hurry, busy, come, meet, greet, jostle, and so on.įor a few minutes Micaëla has entered. Some sitting and smoking, others leaning on the balustrade of the gallery. In front of the guard-house, a little covered porch, raised by two or three steps near the guardhouse, in a rack, the spears of theĭragons with their yellow and red banners.Īt the end of the curtain, about fifteen soldiers (Dragons of the Almanza regiment) are grouped in front of the guardhouse. On the left, in the foreground, the guardhouse. From the stage we come to this bridge by a winding staircase that makes its revolution right over the door of the In the background, facing the public, practicable bridge crossing the stage in all its extent. The action is located in Spain around 1820Ī place in Seville.
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